Delay and Reverb Time Calculator
Calculate precise delay times and reverb settings for your music production
Adjust Your BPM
Common Genres
Reverb Settings
REVERB SIZE | PRE-DELAY | DECAY TIME | TOTAL REVERB TIME |
---|---|---|---|
Hall (2 Bars) | 75 ms | 4725 ms | 4800 ms |
Large Room (1 Bar) | 37.5 ms | 2362.5 ms | 2400 ms |
Small Room (1/2 Note) | 18.75 ms | 1181.25 ms | 1200 ms |
Tight Ambience (1/4 Note) | 4.69 ms | 595.31 ms | 600 ms |
Delay Times
Delay lengths for different note values in reference to your BPM
NOTE VALUE | NOTES | DOTTED | TRIPLETS |
---|---|---|---|
1/1 (1 Bar) | 2400 ms 0.42 Hz |
3600 ms 0.28 Hz |
1600 ms 0.63 Hz |
1/2 (2 Beats) | 1200 ms 0.83 Hz |
1800 ms 0.56 Hz |
800 ms 1.25 Hz |
1/4 (1 Beat) | 600 ms 1.67 Hz |
900 ms 1.11 Hz |
400 ms 2.5 Hz |
Extended Beat Values
BPM: 1001/8 Note Values
1/16 Note Values
1/32 Note Values
1/64 Note Values
1/128 Note Values
Extended Long Values
Extreme Long Values (Minutes)
Delay and Reverb Time Calculator
Master Time-Based Effects with Precision BPM Calculations:
Transform your mixes with professionally calculated delay and reverb timings that lock perfectly to your track’s tempo. Our comprehensive calculator helps you achieve the polished sound of professional recordings by synchronizing your time-based effects to musical subdivisions.
Why Tempo-Synced Effects Matter:
Professional mixers understand that timing is everything in audio production. When your delays and reverbs align with your song’s BPM, they enhance the groove rather than fighting against it. This creates a cohesive sonic landscape where every element feels intentional and musical.
The Science Behind Musical Timing
Time-based effects work best when they complement your track’s natural rhythm. Random timing values can create rhythmic confusion, while calculated values based on note subdivisions provide:
- Enhanced groove perception – Effects that pulse with your track’s heartbeat
- Improved clarity – Timed effects create space rather than clutter
- Professional polish – Industry-standard approach to effect timing
- Creative consistency – Reliable foundation for artistic expression
Pre-Delay Calculation Guide:
Pre-delay determines the gap between your original sound and the onset of reverberation. This crucial parameter affects how listeners perceive distance and space in your mix.
Optimal Pre-Delay Settings by Genre
Electronic Music: 1/32 to 1/16 note values
- Creates tight, controlled ambience
- Maintains punch in programmed elements
- Preserves transient clarity
Rock/Pop: 1/16 to 1/8 note values
- Balances intimacy with spaciousness
- Complements natural instrument acoustics
- Supports vocal intelligibility
Ambient/Cinematic: 1/8 to 1/4 note values
- Establishes expansive soundscapes
- Creates emotional distance
- Enhances atmospheric depth
Mathematical Foundation
Calculate pre-delay using this formula:
Pre-delay (ms) = (60,000 ÷ BPM) ÷ Note Value Divisor
For a 120 BPM track:
- 1/64 note = (60,000 ÷ 120) ÷ 16 = 31.25ms
- 1/32 note = (60,000 ÷ 120) ÷ 8 = 62.5ms
- 1/16 note = (60,000 ÷ 120) ÷ 4 = 125ms
Reverb Decay Time Optimization:
Reverb decay time shapes the perceived size and character of your virtual acoustic space. Proper calculation ensures your reverb enhances rather than overwhelms your mix.
Room Size Simulation Through Decay Times:
Small Room/Booth (RT60: 0.2-0.5 seconds)
- Use 1/8 to 1/4 note values
- Ideal for vocals and lead instruments
- Maintains intimacy and focus
Medium Hall/Studio (RT60: 0.8-1.5 seconds)
- Use 1/2 to whole note values
- Perfect for ensemble recordings
- Balances presence with ambience
Large Cathedral/Arena (RT60: 2-6+ seconds)
- Use whole notes to multiple measures
- Creates epic, cinematic spaces
- Best used sparingly for dramatic effect
Advanced Decay Calculations
Total decay time calculation:
Decay Time = Target RT60 - Pre-delay Time
For musical synchronization:
Musical Decay = Note Value Duration - Pre-delay
Delay Time Strategies:
Delay effects add rhythmic interest and spatial depth when properly timed to your track’s pulse.
Creative Delay Applications
Rhythmic Enhancement
- Use straight subdivisions (1/8, 1/4, 1/2 notes)
- Creates obvious rhythmic patterns
- Builds energy and movement
Subtle Thickening
- Use very short delays (1/64, 1/32 notes)
- Adds width without obvious repetition
- Enhances instrument presence
Polyrhythmic Interest
- Combine dotted and triplet values
- Creates complex, evolving patterns
- Adds sophisticated movement
Multi-Tap Delay Configurations
Classic Stereo Spread
- Left: 1/8 note dotted
- Center: 1/4 note
- Right: 1/8 note triplet
Depth Creation
- Near: 1/16 note (low feedback)
- Mid: 1/8 note (medium feedback)
- Far: 1/4 note (high feedback)
LFO Rate Synchronization
Low-frequency oscillators add movement through modulation. Syncing LFO rates to musical subdivisions creates purposeful, musical modulation.
Common LFO Applications
Tremolo/Auto-Pan: 1/4 to 1/2 note rates Filter Sweeps: 1/2 to 2 bar cycles Pitch Modulation: 1/8 to 1/4 note rates for vibrato Stereo Width: Very slow rates (4-8 bars)
Hz Conversion for Hardware
Many hardware units require frequency input rather than note values:
LFO Frequency (Hz) = BPM ÷ 60 ÷ Note Value in Beats
Practical Mixing Applications:
Instrument-Specific Approaches
Drums
- Snare: Short room reverb (1/8 to 1/4 note decay)
- Kick: Minimal reverb, focus on pre-delay timing
- Overheads: Longer reverbs for ambient space
Vocals
- Lead vocals: Medium pre-delay (1/16 note), controlled decay
- Background vocals: Longer reverbs for depth placement
- Harmonies: Varied timing to create separation
Instruments
- Lead elements: Shorter times for clarity and presence
- Pad sounds: Longer times for atmospheric support
- Percussive elements: Sharp pre-delays, quick decays
Mix Bus Processing
Apply gentle, long reverbs to mix buses using whole note or longer values. This creates cohesive space without muddying individual elements.
Advanced Techniques:
Sidechaining Reverb
Route your reverb to a compressor with sidechain input from the dry signal. This creates breathing space during active passages while maintaining ambient tails during quieter moments.
EQ Integration
- High-cut around 6-8kHz reduces harshness
- Low-cut around 80-120Hz prevents muddiness
- Mid-frequency adjustments shape reverb character
Modulated Parameters
Use calculated LFO rates to modulate reverb parameters:
- Pre-delay modulation creates movement
- Decay time modulation adds life
- EQ parameter modulation creates evolving spaces
Troubleshooting Common Issues:
Problem: Reverb sounds muddy Solution: Check low-frequency content, ensure proper pre-delay timing, consider shorter decay times
Problem: Delays create rhythmic confusion Solution: Verify BPM accuracy, try simpler subdivision patterns, check feedback levels
Problem: Effects don’t gel with the mix Solution: Return to basic note value calculations, ensure consistent timing approach across instruments
Creative Departures:
While mathematical precision provides an excellent foundation, artistic expression sometimes requires breaking the rules:
- Slightly off-time delays can create tension and interest
- Polyrhythmic combinations add complexity to simple arrangements
- Dynamic parameter changes create evolving soundscapes
The key is understanding the rules thoroughly before breaking them purposefully.
Conclusion:
Time-based effects become powerful musical tools when properly synchronized to your track’s tempo. Use these calculations as your starting point, but always trust your ears for the final decision. The best reverb and delay settings serve the song’s emotional and sonic goals while maintaining professional polish.
Remember that every mix is unique, and these calculations provide a roadmap rather than absolute rules. Experiment with variations, trust your artistic instincts, and let your music guide the final choices.
Related Calculator:
Free BPM Counter/CalculatorExternal Resources:
Delay & Reverb Time Calculator
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